COLLECTING THE WORK OF THE SUMMER
Rolling over the hills from Franklin
up toward Dillsboro and on to Sylva,
rusty golden Tulip Poplar, fading yellow American Sycamore
cadmium yellow Hickory, burnt at the edges -
all glowing like short flames
dancing their last breath
over dying embers.
Smoldering ruddy reds
gather above muted green laurels,
and down below, scraggly
ghosts of Hemlock strain to stand,
trunks and limbs giving last life
to moss and lichen.
All go to rest now -
some to wake in Spring,
some to sink to the floor,
soak in next season’s snowfall,
melt into dark soil and forget
only to remember what it’s like
to be a wildflower,
see things from a different vantage
point upwards, facing their grandchildren.
Wednesday, November 3, 2010
I drove up to Sylva today to collect my work from the show - this Summer's work - and bring some of it home. Sometimes when I take a show down I get a heavy heart. It's sometimes hard to make new work when recent work is still around. And then there is the period of gestation that is a necessary part of this artist's process. So much of the process is internal and interactive with the world. Taking in ideas, images, places, people, silence, ocean, river, rock... and then having something inside that pushes to be embodied in object or word. Today, while driving, I was inspired by the late fall color as I drove over the hills and mountains. Even the kudzu had turned to a splotchy gold and green. Some words came out of this...
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Blogs I like to visit
- Nicola's Art Room
- Robert Moss Blog
- The Artist's Path - Laurence's blog
- Accessing Your Higher Self
- Dream Worlds
- Layne Kennedy
- Clarity in Wonderland
- charcoal + white
- Women painting women
- spiritual deep dish
- Daniel Sheehan Editorial Photography
- Joe's Blog
- Edie Morton's Encaustic Art
- Roaming Pixels
- Counterforces and Other Little Jokes
- Visual Musings
- Daily Painters
- Carol Marine Daily Paintings